The judges have now shortlisted 25 entries from 127 countries for the Wellcome Photography Prize 2020. The overall winners will be announced on 19 August 2020.
The 2020 prize has five categories: Social Perspectives, Hidden Worlds, Medicine in Focus, and two categories on Mental Health, which is the special theme for this year.
At Wellcome we believe a radical new approach is needed to transform the science of mental health. And with the 2020 prize we hope to transform public perceptions too.
Mental health is difficult to depict and, often, hard to explain, which leads to misunderstanding and stigma. The shortlisted photographers have, in no small feat, managed to convey both the interiority of their subjects and the stigmas around various mental health issues, asking us to look more closely and think more openly.
The winner of each category will receive £1,250, with the overall winner receiving a prize of £15,000.
These photographs explore how health – good and bad – affects society. They offer perspectives that are personal, intimate and unique, shaped by the subjects’ health issues and social environments.
These photographs expose health unseen: the taboos we shy away from, the places we rarely visit, or the uncharted conditions we don’t yet understand. They are powerful, empathetic and sometimes disquieting forays into the hidden issues of global health.
These photographs show healthcare and medicine up close and personal. They cover a range of health topics, in very different settings, but each captures the emotion of the subject, and the vulnerability and determination that accompany illness and recovery.
These photographs fight the clichés and stigmas of mental illness, exploring mental health issues and personal stories through thoughtful and balanced portraits with significant emotional depth.
These sets of photographs tell expansive stories, exploring the ways that individuals or groups live with their own mental health problems and how they seek solutions.
Since he was 20, Arseniy Neskhodimov has been prone to depression. Finding antidepressants unhelpful, he decided to get out of Moscow and find somewhere he could be happier, chronicling his own experiences. But the depression followed him.
People imagine that depression is like ordinary unhappiness, only more so. It isn’t. And the things we typically do to cheer ourselves up can’t be relied on as treatments. Neskhodimov tried a change of scene to get away from his troubles, but to no avail. He now thinks depression has to be understood and treated as an illness, although he isn’t sure how.
Fritz Dressler (1937–2020) was a landscape and architectural photographer who suffered from Alzheimer’s disease during the last years of his life. He was an intense, creative, headstrong man whose identity resisted the illness; his soul and emotional state shine out from these portraits.
The cognitive effects of dementia are well-known, like loss of memory, language skills and concentration, but the emotional experience of the disease has a huge impact on mood as well. While scientists have yet to find a cure, there are already drugs that can combat the symptoms. And familiar places, people and activities can provide enormous comfort, helping people like Fritz to remain themselves for longer.
This neighbourhood on the bank of the Lagos lagoon suffers annual flooding – more severely and for longer, as climate change raises sea levels. Apart from the physical damage and the risk of water-borne diseases, there comes a threat to mental health. How can you live your life in a massive puddle of water? What would that kind of stress do to you?
Living through a natural disaster – or one fuelled by human activity – is traumatic. Floods, droughts and extreme weather can destroy your assumptions about the safety of your home. Even if the initial shock passes, you then face an uncertain daily existence, where fear of what might happen next mingles with a terrible sense of loss. Climate change is a threat to mental health just as it is to physical health, and governments’ responses to it must take that into account.
Therese Alice Sanne invited young people with mental health problems to draw or paint on portraits she had taken of them, to give them a chance to portray themselves as they really feel.
Mental illness is often not apparent to an onlooker. People struggling with their mental health can find it impossible to make themselves and their pain understood to those around them, and this chasm between outer world and inner reality can compound their suffering. Finding creative ways to express these feelings may be therapeutic, and might even help to bridge the communicative gap.
If it’s hard to get treatment for your mental health problems, you might have to improvise. You may be able to take care of yourself a little by putting together a kit of things that help you get through difficult moments. Sebastian Mar has photographed Russian women along with the mental health first-aid kits they have created.
Good mental healthcare can be hard to get in Russia – partly a legacy of the Soviet approach of suppressing ‘volatile’ people rather than helping them. And women are particularly at risk of conditions like eating disorders, PTSD and depression, partly because of high levels of violence against women. They try to cope: each of these kits is a manifestation of hope and resourcefulness. But if their problems are understood more widely, perhaps it will become easier to access professional treatment.
This year we have two commissions which explore the theme of mental health: a project from award-winning photographer Siân Davey, and the collaborative COVID-19 Anxiety Project.
Siân's series, Testament, is an intimate examination of the impact of poverty on mental health, loneliness and community ties. The coronavirus pandemic disrupted Siân’s work, but at the same time it has cast urgent new light on these issues.
Following a 15-year career as a psychotherapist, Siân began her photographic practice in 2014, drawing on professional experiences to inform her work. Her community-centred photography is an investigation of her own psychological landscapes and of those around her.
Five photographers from five different countries will each create a body of work that explores the mental health repercussions of isolation due to COVID-19.
The pandemic has ushered in an unprecedented age of isolation, with physical distancing measures and lockdowns in place all around the world. The physical health consequences of a pandemic are urgent and obvious, but the mental health repercussions are just as critical, if not so overt. We have commissioned the photographers to address these critical repercussions, and to answer the question: How are you, your family, and your friends coping with anxiety related to COVID-19?
Our commissioned photographers are: